"The apse of the Combray church; what can one say about it? It was so crude, so lacking in artistic beauty and even religious spirit. From outside, because the crossroads which it commanded was on a lower level, its crude wall rose up from a subbasement of quite unpolished ashlar, bristling with flints, and having nothing particularly ecclesiastical about it, the windows seemed to have been pierced at an excessive height, and the whole looked more like the wall of a prison than the wall of a church. And certainly, later, when I recalled all the glorious apses I had seen, it would never have occurred to me to compare them with the apse of Combray. But, one day, at the bend of a little street in a country town, I noticed, opposite the crossing of three lanes, a rough and unusually high wall with windows pierced far above and the same asymmetrical appearance as the apse of Combray. Then I did not ask myself as at Chartres or Rheims how powerfully it expressed religious feeling, but involuntarily exclaimed: “The church!”"
Marcel Proust, Du côté de chez Swan